We are currently typing Schubart's Alpeone Sonata.
Since the "arpeggione" is a now defunct instrument, many have been arranged and played on the cello. I have found some examples of cellos that have been reissued and are being played. Compared to the modern cello, the richness of sound and other characteristics are very different.
Now, let meHow did you start playing the cello?I heard this piece at a Rostropovich concert and became fascinated by the sound of the cello and began to learn it. I heard this piece at a concert by Rostropovich and was so fascinated by the sound of the cello that I began to learn it. At the time, I was taking lessons in Bach's unaccompanied cello and other pieces, hoping to play this piece someday. But when I was able to play it to some extent, I read the sheet music again and gave up all hope of ever playing it. I found out that it requires a very high level of skill to play a six-string arpeggione on a four-string cello. The gentle and beautiful melody sounds so gentle, but when it comes to playing it, it's a terrible thing. I don't know why, but this piece is full of mysterious charm. For me, it is one of the songs that I sometimes want to listen to on a moment's notice.
By the way, when I was listening to various performances to finally start typing, I suddenly noticed something. It seemed to me that the quality of the piece depended on the way the piano accompaniment was played. I thought that unless I played the piano very well, the cello would die.
I am not sure what will happen.